In that regard, Rourke’s contribution to one of the greatest bands of the 1980s is impossible to overstate. You can find tunes to play, find sessions to play them in, and join in discussions about the music. The Smiths were about Moz’s pomp and Marr’s mercurial guitar – but they were also the story of four friends from an Irish immigrant community taking on the world. The Session is a community website dedicated to Irish traditional music. But he deserves to be seen as so much more. Loreen of Sweden has won the Eurovision Song Contest in Liverpool, becoming the first woman, and only the second person, to do so twice. The US pop star, 30, said that for years she had carried. That love is especially strong for traditional Irish music. Rourke will be remembered as an able lieutenant to the two prominent personalities in the band. Miley Cyrus says that as an adult she has come to realise how harshly she was judged during her childhood years. Nearly every Irish household has some kind of musical instrument. Now any slim chance of the group sharing a stage again is gone. The Smiths would never reunite: the rift between Morrissey and Marr was too wide to bridge. He was devastated when she died, five years ago, saying at the time, “I have truly enjoyed the years we spent together and feel privileged to call her a close friend.” The band, formed in 1962 by Paddy Moloney to play traditional Irish tunes that celebrated his homeland’s folk. Rourke would no doubt have agreed – so it was perhaps no coincidence that, years after the break-up of The Smiths, he started Dark, an electropop project, with Dolores O’Riordan, of The Cranberries. Quite simply, The Chieftains are the world’s principal ambassadors of Irish music.
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